Bands try “virtual tours” as the reality of a summer without concerts

Bands try “virtual tours” as the reality of a summer without concerts

Since they started sells shows across the Northwest last winter, the Connecticut jam band seemed destined for a stuck life on the road. But the coronavirus pandemic puts a damper on everything when its national tour is canceled in mid-March.

Now, after three months in their respective bunkers, the four musicians are venturing outside. Practically, of course.

Over the next 10 days, Goose will be performing in a stall in Fairfield County, where, starting last night, they will broadcast their unique combination of improvised-inspired rock ‘n’ roll for eight sets of live music.

“Bingo Tour,” as Goose is calling the race, is one of the new tourism experiences that large and small groups have been experiencing since the live tourism industry all closed when Covid-19 began rolling out in the United States this spring.
Certain acts, such as Marc Rebillet, Garth Brooks and Spafford, have been tested in lead cinemas. Others, like Murphy’s Dropkick and u Disco Bishops, reserved vacant stages
But street warriors like it Goose, who spend most of their time playing in small or medium-sized venues in cities across the United States, growing their fan base with each show, the next best thing they can do is play online and hopefully the fan fan.

“The demand for live, new content has never gone anywhere, in terms of what people want to see,” said Peter Anspach, who plays keyboards and guitar. “Maybe we don’t go to a show, but we always find the demand of people who see new devices never seen from the living room is as big as a show.”

Twiddle, a Vermont rock band with 15 years of commitment back to back, is committed to a similar race. His is “Roots Tour 2020,” and they promise nine sets of live music performed in various locations around his state on instrumental instruments for his career – all live for fans to watch at home.

“There will be something really special for us and many enthusiasts to relive some of these special moments of our career,” said Mihali Savoulidis, guitarist and singer of Twiddle, announcing the event, which starts at $ 75 per package. .

The virtual tours of both bands are be produced from Live From Out There, a line of music and online content in the group 11E1even that began production of concerts in the early days of the pandemic.

“A lot of people are hanging out on Facebook Live just sitting on the couch with their acoustic guitar. We wanted to give our fans something more interesting that has replaced what a ‘tour’ is for us and our fans. , ”Live From Outside is co-founder Dave DiCianni told CNN. “Goose, and every band we work with, kind of comes up with their own concept.”

Online community recreation

Part of the challenge these bands face is trying to recreate the experience of the community that typically revolves around their shows on the road.

“Everyone’s home in quarantine. All we want is to be connected,” said Ben Atkind, the band’s drummer, of the live Facebook Q&A they’ve been testing for the past few weeks. “Our fan base is very active, and out there, so we have to make an effort to keep in touch – for ourselves and for ours.”

For Goose’s virtual tour, there will be a few more possibilities to connect.

Fans who have purchased tickets to stream the shows can play while dances are thrown on the stream, each telling which song the band will play next, giving fans a chance to win prizes if their songs match the so panels provided.

Oca & # 39; s to-do list it was dictated by balls thrown in case.
There will be too thank you, VIP meetings and greetings with the band (above Zoom of course), as well as a community talent show.

“That’s just another case element,” Anspach said. “It’s kind of making it more fun for us, and also for the fans.”

Rick Mitarotonda, who sings and plays guitar, agreed.

“It will be fun. It will be a different experience. It will keep us on board,” he said.

Goose typically writes an ensemble right before they take the stage, or let the music take them where they want to go. But now? “We’re going to go with the balls,” he said.

The question remains of what a period of recovery from the stages would mean for a band like Goose, whose moment seemed to be unstoppable in the world of music jam in its first year.

Some may never make it through the other side. Other groups may change for the better.

Mitarotonda is not too worried.

“Getting space out of things is really nice. There’s always renewed energy when you come back, especially if it’s used up or not,” he said, adding that to get some breathing space “improvisation goes to new places.”

Anspach agreed. “I feel like when we come back we’ll have more ideas and they’ll be a lot more inspired, and we’ll appreciate the fact that we’re playing together so much more,” he said. “I’m definitely fed up with her.”

“I hope it changes,” Mitarotonda added. “Because if you stay the same time for a long time then it’s not – It’s not good. The best bands, the best bands, change a lot. I hope there’s some element of change.”

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